As near as I can understand, Apple chose to target MainStage users as the ones who would want to take hardware with them without lugging gear. The weird thing about all of this is that Auto Sampler is only available in MainStage – and not in Logic. This basic interface still seems to satisfy what most people would do with Auto Sampler, though if there are tools you miss from other Redmatica offerings, I’d love to hear about it. I don’t think you have quite the range of functionality originally available from Redmatica, but MainStage is fairly cheap, and this is almost reason enough to use Logic, let alone pony up a little more cash for the feature. Set a range, choose how you want samples to be triggered and looped, or set one-shots. Then, you get the lovely interface at top. Inside the Audio FX section of that Channel Strip, you instantiate it just as you would another effect it’s under the MainStage submenu > Utility > Auto Sampler. It’s a MainStage plug-in, meaning it acts as an effect device that appears only inside the MainStage Channel Strip. You might have trouble even finding Auto Sampler. Not that Apple has exactly advertised it – too bad, given a feature that magically transforms hardware into software is kind of cool. And it has accordingly earned a loyal following from a lot of gigging artists.īut whether you want MainStage or not, you might consider paying for it just to get this single feature. It has some really powerful features for setting up set lists with software instruments and effects, and allowing users to focus on playing rather than squint at a computer. MainStage itself is a nice tool, one that I think doesn’t get enough attention from the music tech world. Apple didn’t focus on that new feature – you would have missed it apart from the release notes – but it has quickly become buzzed about in forums among enthusiasts, so it obviously matters to someone. The accompanying MainStage 3.1 adds Redmatica’s tech for automatically making sample instruments. Now, with Logic Pro X 10.1, that changes. It was unclear just what Apple intended to do with the tech. (See reporting from the time.) You could continue to use existing versions, of course, but without further support. In the form of the products Keymap Pro, AutoSample, ProManager, and GBSammpleManager, they sucked in sounds of outboard gear directly to sample instruments you can use.Īll that ended when Apple bought the developer in 2012 and it immediately closed shop, leaving users in the cold. Redmatica’s tools made all of that happen more or less automatically. Anyone who’s ever built samples of hardware knows the process can be fairly time-consuming: you trigger notes one at a time, record audio from them, and map that audio to the keyboard. Italian developer Redmatica had a host of technologies for transforming hardware instruments into software samples, all built around Apple’s EXS24 sampler. You need the latest MainStage to access it, but it allows you to easily create sampled software versions of external instruments. MainStage is available for US $29.99 in the Mac App Store.Hidden in last month’s update to Logic and MainStage is a feature a lot of sampler lovers have been missing.
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